Las óleos de todo Johann Heinrich Fuseli


ID Image  Painting (From A to Z)       Details 
62502  
Johann Heinrich Fuseli, Brunhilde Observing Gunther
 
 Brunhilde Observing Gunther   Whom She Has Tied to the Ceiling 1807 Pencil, pen and ink and wash, 483 x 317 mm City Museum and Art Gallery, Nottingham The subject is taken from the Niebelung Saga (X, 648-50). Author: FUSELI, John Henry Title: Brunhilde Observing Gunther, Whom She Has Tied to the Ceiling Form: graphics , 1751-1800 , Swiss , other
71063  
Johann Heinrich Fuseli, cauchemar
 
 cauchemar   mk289 1781 detroit the detroit lnstiute of arts
43943  
Johann Heinrich Fuseli, Dante and Virgil on the Ice of Kocythos
 
 Dante and Virgil on the Ice of Kocythos   390 x 274 mm
91469  
Johann Heinrich Fuseli, Die Einsamkeit bei Tagesanbruch
 
 Die Einsamkeit bei Tagesanbruch   1794-1796 Medium oil on canvas Dimensions Deutsch: 95 x 102 cm cjr
89245  
Johann Heinrich Fuseli, Die Sunde, vom Tod verfolgt
 
 Die Sunde, vom Tod verfolgt   1794-1796 Medium oil on canvas Dimensions Deutsch: 119 x 132 cm cjr
44114  
Johann Heinrich Fuseli, Ezzelin and Meduna
 
 Ezzelin and Meduna   1779 Oil on canvas, 45,7 x 50,8 cm
83417  
Johann Heinrich Fuseli, Fairy Mab
 
 Fairy Mab   1815-1820 Medium Oil on canvas Dimensions Deutsch: 70 x 90 cm cyf
94426  
Johann Heinrich Fuseli, Johann Heinrich Fussli im Gesprach mit dem Zurcher Historiker und Literat Johann Jacob Bodmer
 
 Johann Heinrich Fussli im Gesprach mit dem Zurcher Historiker und Literat Johann Jacob Bodmer   1778-1781 Medium oil on canvas Dimensions Deutsch: 163 x 150 cm cjr
94428  
Johann Heinrich Fuseli, Kriemhild zeigt Gunther im Gefangnis den Nibelungenring
 
 Kriemhild zeigt Gunther im Gefangnis den Nibelungenring   50 x 38,4 cm 1807 cjr
80605  
Johann Heinrich Fuseli, Lady Macbeth receives the daggers
 
 Lady Macbeth receives the daggers   Date 1812(1812) Medium oil on canvas Dimensions 101.6 x 127 cm
52497  
Johann Heinrich Fuseli, Lady Macbeth with the Daggers
 
 Lady Macbeth with the Daggers   1812 Oil on canvas, 101,6 x 127 cm
66526  
Johann Heinrich Fuseli, Liegende Nackte und Klavierspielerin
 
 Liegende Nackte und Klavierspielerin   71 ?? 99 cm (27.95 ?? 38.98 in) 1799-1800
70900  
Johann Heinrich Fuseli, Liegende Nackte und Klavierspielerin
 
 Liegende Nackte und Klavierspielerin   1799-1800 Oil on canvas 71 x 99 cm (27.95 x 38.98 in)
71909  
Johann Heinrich Fuseli, Liegende Nackte und Klavierspielerin
 
 Liegende Nackte und Klavierspielerin   Date 1799-1800 Dimensions 71 x 99 cm
70853  
Johann Heinrich Fuseli, Nachtmahr
 
 Nachtmahr   Medium Oil on canvas Dimensions 101,6 x 127 cm
62845  
Johann Heinrich Fuseli, Portrait of a Young Woman
 
 Portrait of a Young Woman   101 x 127 cm Institue of Arts, Detroit This portrait is painted on the reverse of the Nightmare. The portrait is generally believed to be of the woman Fuseli loved, Anna Landolt, who was a niece of the Zerich physiologist Johann Caspar Lavater (1741-1801). Lavater and Fuseli were close friends, but Fuseli's suit was rejected by Anna's parents, and it may not be coincidence that the portrait is on the reverse of his painting The Nightmare. Artist: FUSELI, John Henry Title: Portrait of a Young Woman , painting Date: 1751-1800 Swiss : portrait
94427  
Johann Heinrich Fuseli, Reiter von Riesenschlange uberfallen
 
 Reiter von Riesenschlange uberfallen   39 x 31,5 cm c. 1800 cjr
52492  
Johann Heinrich Fuseli, Silence
 
 Silence   1799-1801 Oil on canvas, 63,5 x 51,5 cm
74235  
Johann Heinrich Fuseli, Sleep and Death carrying away Sarpedon of Lycia
 
 Sleep and Death carrying away Sarpedon of Lycia   Date 1803 Medium Oil on canvas Dimensions Deutsch: 91,4 X 71 cm cyf
62501  
Johann Heinrich Fuseli, The Artist Moved by the Grandeur of Antique Fragments
 
 The Artist Moved by the Grandeur of Antique Fragments   1778-79 Red chalk on sepia wash, 415 x 355 mm Kunsthaus, Z?rich The young Henry Fuseli, in the late 1770s, portrayed himself reduced to despair before the vastness of Rome's remains. Since he had spent eight years studying in the city, his awe was doubtless exaggerated, but it was also a premonition of the powerful emotions that were to be released in his art. Author: FUSELI, John Henry Title: The Artist Moved by the Grandeur of Antique Fragments Form: graphics , 1751-1800 , Swiss , other
80377  
Johann Heinrich Fuseli, The Awakening of the Fairy Queen Titania
 
 The Awakening of the Fairy Queen Titania   Date 1775-1790 Medium Oil on canvas Dimensions Deutsch: 222 x 280 cm cjr
84626  
Johann Heinrich Fuseli, The Awakening of the Fairy Queen Titania
 
 The Awakening of the Fairy Queen Titania   1775-1790 Medium Oil on canvas Dimensions Deutsch: 222 x 280 cm cyf
40607  
Johann Heinrich Fuseli, The Nightmare
 
 The Nightmare   mk156 1781 Oil on canvas 101.6x127cm
66529  
Johann Heinrich Fuseli, The Nightmare
 
 The Nightmare   Oil on canvas 101,6 ?? 127 cm 1781
52491  
Johann Heinrich Fuseli, The Shepherd's Dream
 
 The Shepherd's Dream   1793 Oil on canvas, 154,5 x 215,5 cm
44115  
Johann Heinrich Fuseli, The Shepherd-s Dream
 
 The Shepherd-s Dream   1793 Oil on canvas, 154,5 x 215,5 cm
91388  
Johann Heinrich Fuseli, Theodore Meets in the Wood the Spectre of His Ancestor Guido Cavalcanti
 
 Theodore Meets in the Wood the Spectre of His Ancestor Guido Cavalcanti   1783(1783) Medium oil on canvas Dimensions 276 x 317 cm (108.7 x 124.8 in) cyf
70817  
Johann Heinrich Fuseli, Titania is leevtallig met Bottom met de daare Eselkopp
 
 Titania is leevtallig met Bottom met de daare Eselkopp   Medium Oil on canvas Dimensions 169 x 135 cm
66528  
Johann Heinrich Fuseli, Titania liebkost den eselkopfigen Bottom
 
 Titania liebkost den eselkopfigen Bottom   1793/1794 169 ?? 135 cm (66.54 ?? 53.15 in) Oil on canvas

Johann Heinrich Fuseli
1741-1825 Romanticism Swiss



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